Minggu, 31 Maret 2013

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This Is Where It Ends, by Marieke Nijkamp

The #1 New York Times Bestseller!

Everyone has a reason to fear the boy with the gun.

10:00 a.m.
The principal of Opportunity, Alabama's high school finishes her speech, welcoming the entire student body to a new semester and encouraging them to excel and achieve.

10:02 a.m.
The students get up to leave the auditorium for their next class.

10:03
The auditorium doors won't open.

10:05
Someone starts shooting.

Told from four perspectives over the span of 54 harrowing minutes, terror reigns as one student's calculated revenge turns into the ultimate game of survival.

#1 Young Adult Debut of 2016
A Publishers Weekly Bestseller
Winter '15 Kids Indie Next List
Goodreads YA Best Books of the Month
Buzzfeed 5 YA Books You Should Be Reading This January
Bustle.com 18 of 2016's Most-Anticipated YA Novels
BookRiot 15 Books out in 2016 You Should Mark Down Now

  • Sales Rank: #2430 in Books
  • Published on: 2016-01-05
  • Released on: 2016-01-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x 1.10" w x 5.80" l, .0 pounds
  • Binding: Hardcover
  • 288 pages

From School Library Journal
Gr 7 Up—Opportunity High School takes pride in leading its students to greatness. After all, its motto is We Shape the Future. However, not all students agree. Outcast Tyler Browne has returned with a vengeance and with his own motto: "I will make sure you remember me." And so begin 54 minutes of hell on earth for students and staff as Tyler holds his audience captive inside a locked auditorium, killing whomever he pleases and offering heartless grace to others. Told from four student perspectives, each with their own frayed relationship to "the shooter," this compelling tale echoes current events. The full-cast narration includes top-of-their-game performances from Nick Podehl, Amy McFadden, Kate Rudd, Whitney Dykhouse, Lauren Ezzo, and Scott Merriman. VERDICT A gripping tale from start to finish. ["With a thrilling narrative, topical subject matter, and diverse characters, this is a first purchase for libraries serving teens": SLJ 11/15 review of the Sourcebooks Fire book.]—Cheryl Preisendorfer, Twinsburg City Schools, OH

Review
"This Is Where It Ends is simultaneously heart pounding and heart wrenching. Every word hits frighteningly close to home and is tragically too familiar. This book will leave you asking questions that we as a society should have answered a long time ago."�-�Julie Murphy, #1 New York Times bestselling author of DUMPLIN'

"Stunning, diverse, and unforgettable, This Is Where It Ends is a book everyone should read to better understand each other and the world around us."�- Robin Talley, author of LIES WE TELL OURSELVES

"As long as there are Newtowns and Columbines there will be a desperate need for gripping, well-written, and poignant novels like this one. We are the most gun-violent country in the world, and yet little has been done to stop these rampage killings. Many people have become numb to the news that yet another child, or family, or congregant, has been murdered. Hopefully a book like This Is Where It Ends will make the problem more real to a generation that still has the time, energy, and willpower to do something about it."�- Todd Strasser, award-winning author of GIVE A BOY A GUN and FALLOUT

"Entirely gripping and fast-paced."�-�Lucy Christopher, award-winning author of STOLEN

"[A] compelling story of terror, betrayal, and heroism... This brutal, emotionally charged novel will grip readers and leave them brokenhearted." - Kirkus

"Love, loyalty, bravery, and loss meld into a chaotic, heart-wrenching m�lange of issues that unite some and divide others. A highly diverse cast of characters, paired with vivid imagery and close attention to detail, set the stage for an engrossing, unrelenting tale." - Publishers Weekly

"With narration firmly rooted in the moment and smooth transitions in and out of flashbacks, each first-person account reveals an intricate web of betrayal and pain that connects the four to Tyler and the horror he has unleashed.
" - The Horn Book Magazine

"A gritty, emotional, and suspenseful read and although fictionalized, it reflects on a problematic and harrowing issue across the nation." - Buzzfeed

"Marieke Nijkamp's brutal, powerful fictional account of a school shooting is important in its timeliness." - Bustle.com

"A compelling, brutal story of an unfortunately all-too familiar situation: a school shooting. Nijkamp portrays the events thoughtfully, recounting fifty-four intense minutes of bravery, love, and loss." - BookRiot

"The core message and potential to open thoughtful discussion make this a solid choice for teen readers.
" - VOYA Magazine

"Harrowing first-person narrations reveal the way characters try to understand what is happening, where they are in relation to the emergency, and what they can do to save those they love... readable, gripping, and well balanced.
" - The Bulletin of the Center for Children's Books

"You'll finish this book in a single evening, guaranteed." - Paste Magazine

"Nijkamp's emotional, powerful debut fictionalizes an all-too-frequent occurrence in today's world. Her strong storytelling pulls readers into a school shooting, leaving them amongst the gunman's victims in Opportunity High's auditorium. " - RT Book Reviews, 4 Stars

About the Author
Marieke Nijkamp is a storyteller, dreamer, globe-trotter, geek. She holds degrees in philosophy, history, and medieval studies, and is an executive member of We Need Diverse Books, the founder of DiversifYA, and a founding contributor to YA Misfits. She lives in the Netherlands. Visit her at mariekenijkamp.com.

Most helpful customer reviews

14 of 14 people found the following review helpful.
This is such a brilliant way to open the book
By stephsco
This book is addictively readable, and yet also hard to read given this is about a school shooting live and in progress. At times, I questioned whether the book was too violent, but seconds later would remind myself of the countless actual school shootings happening in the United States. These mass killings, sprees, and "lone gunmen" have become so commonplace we, the public, are almost irritated when another one surfaces. AGAIN? This book brought the conversation back down to the individuals affected by such a senseless tragedy, and even explores, with a deft hand, that very idea of whether these tragedies are senseless, or if there is some sense in there, though convoluted and misguided.

This is Where it Ends begins with a shot--the starter gun out on the school's track. This is such a brilliant way to open the book, with a student who is not inside the school when the shooting happens. The narration switches from four points of view, each with connections to the shooter and to each other. The entire story takes place over an hour of time, and it's gripping. I read this in 3 sittings--it would have been 1 sitting if not for the day job and life's responsibilities.

As for the "too violent" thought that occasionally surfaced while reading, I want to stress this book is written very age-appropriate to teens. It is violent, but so are school shootings which our younger generation deals with. Gore is not glorified, but instead the humanity and emotion and reality of situations like this. Like how previous generations practiced air raid drills, the current younger gen practices lock-down procedures. It's a reality that a shooting could happen to anyone. No wholesome small town is safe. I still vividly remember Columbine unfolding on the news and being scared that could happen in my town. (In fact, my hometown just this week was the site of a killing spree that made national news, though not in a school.) What this book highlights throughout is hope, determination, and a will to live. That's especially important in a book like this. The characters each struggle in their own ways, but all of them demonstrate hope and bravery.

27 of 33 people found the following review helpful.
"I wanted to fit in here...Instead, I lost everything." ReadingBifrost Review
By Reading Bifrost
“‘I wanted to fit in here.’ His voice rises and falls with a singsong cadence. He has the gun in one hand. His other rests on his waistband where, strapped over his dress shirt and slacks, he carries cartridges of ammunition, perhaps even another gun. ‘Instead, I lost everything.’”

This read ended up being a major disappointment for me. I started out knowing, because of the subject, it was going to be dark and may hit a few sensitive marks. Unfortunately I never came to care enough about the characters to worry with the situation.

The story flips back and forth through multiple characters in different places throughout the school, which could have worked, but they all have some kind of relationship to the others. I found myself having to go back multiple times to remind myself who was who and how they were connected to the others. Overall it just became annoying and contributed to why I never connected to the characters.

There’s also a very severe lack of adults in this novel. Where the heck are all the teachers?! There’s a mention of one or two of the teachers, but as the shooter goes about his business where’s the trained leadership of the school staff in all this chaos? Maybe the author thought she could get away with it just being a “small” school, but small, country schools still have the same requirements as other schools. It’s clear the author wanted the teens to be heroes of the story, but don’t turn the book into a no-adults-exist super-teens story.

The gunman was another point that was lacking. What motivated his actions? He talks a lot with not much to actually say. He has family problems, and he points out that he was lonely, but nothing even hinted on what drove him over the edge and why he chose to take out his pain/anger on the school. To me this felt like a big cop-out, because there’s always controversy over if the shooter could have been stopped if his depression/bullying/abuse was found out beforehand.

Overall, I didn’t like this book. There were diverse characters (how in the world there could be that many diverse characters in that small of a school, no idea, but hey, lets go with it), but the characters lacked any depth. I’d probably skip over this one.

7 of 7 people found the following review helpful.
A chilling look at the painful reality of mass shootings and how someone can be driven over the edge
By Nicole Hewitt
This is Where It Ends is an intense reading experience. And, unfortunately, the situation portrayed in the book is all too real in today’s society. (I read an article on NBC News the other day that said there have been more mass shootings in the US than days this year – how scary is that?) The book looks at a school shooting from the perspective of four students who have a connection to the shooter in one way or another – two are trapped in the auditorium and the other two are on the outside, trying to help their friends. The book takes place over a mere 54 minutes, but these students’ lives are completely transformed in that hour.

I actually don’t want to say much about the specifics of what happened in the book or even about the characters because I think that it will be better if you learn about the circumstances and connections between the characters as you go, but I can give some general thoughts.

What I LOVED:

The intensity.
This is the type of book that you CAN’T PUT DOWN. For some reason, I decided to start reading this book at 10PM, just before I should have been trying to go to sleep (actually, this is a pretty normal occurrence for me, but still …). Well, at 1AM, I finally put the book down, exhausted but with my mind spinning. Several times between those two points, I had told myself that I needed to stop reading and go to sleep, but it just wasn’t happening. I had to finish it! The first half of the book was especially intense and had my heart and mind both racing!

How could this happen?
One question that was examined often throughout the book was “How could this happen?” Because the story is told from the perspective of four different people who know the shooter – some very well – these characters are all asking themselves this question. They’re all wondering if they should have known – or, worse, if they could have done something to stop it. The characters’ internal journeys are just as important (if not more so) than the actual events that are happening around them.

Love and sacrifice.
Throughout the harrowing event, the characters all gain a deeper understanding of where their loyalties lie and what is truly important in life. They learn to fight for love and for themselves – and for the people they care about. The message of love and loyalty shines throughout the book, even in horribly dark circumstances.

The negatives:

Slight loss of momentum.
While I loved the entire book, I did feel like the second half lost momentum a bit and the pacing wasn’t as sharp as in the first half. This was especially true for me in Claire’s scenes (but I actually never quite connected to Claire as well as I did the other narrators, so that could account for that).

Unnecessary sacrifice?
At one point a character in the book makes the ultimate sacrifice for another character. I obviously don’t want to go into any detail about how or why that happens, but I will say that something about the whole scene felt off to me. It almost felt like, at that point in the story, the sacrifice was unnecessary, and while I could understand the character’s motives for wanting to protect the other person, the timing seemed very odd to me and I wasn’t exactly sure how the character’s actions were actually helping anyone. Honestly, it almost felt to me like the author really wanted a character to sacrifice themselves in a grand way but couldn’t come up with a great scenario to make it happen. (Sidenote – as an editor, these things probably bug me a bit more than they do other people because I find myself thinking, “Oh, the author could have just made this smallest of tweaks and the sacrifice would have felt necessary – and therefore much more powerful.” And then I can’t stop thinking about that moment. It’s my editor brain talking – sorry, I can’t turn it off.)

This book takes a chilling look at the painful reality of mass shootings and how someone can be driven over the edge. It’s also a story of hope and love and sacrifice amidst pain. Pick this book up. I promise you will not soon forget it. I give This is Where It Ends 4/5 stars.

***Disclosure: I received this book from NetGalley and the publisher in exchange for an honest review. No other compensation was given and all opinions are my own.***

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Minggu, 24 Maret 2013

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Dating the son of a drug lord was bound to be complicated. Besides the obvious, Zara’s boyfriend, Jett, is also an alien, and she’s a half-breed still coming to terms with what that actually means. Thrown into a life where the human rules don’t apply, she meets surprise around every corner. The world that humans live in is not what it seems. As if that weren’t bad enough, Jett also has alien enemies—one’s that are hell bent on making him pay for what he’s done on his father’s order. But these enemies aren’t after him. They’ll take their revenge on the ones he loves. Caught up in a battle between the rival families, Zara will finally get to see what makes Jett a Royal and why she’s acquired a Royal entourage.

  • Sales Rank: #5450073 in Books
  • Published on: 2015-09-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .77" w x 5.00" l, .74 pounds
  • Binding: Paperback
  • 308 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
great story
By Jeffrey
Great writing, good storyline, different from the rest of the stuff out there. Looking forward to the next one. .

0 of 0 people found the following review helpful.
Love this series it is not your typical story line ...
By Amazon Customer
Love this series it is not your typical story line but very awesome.check it out you won't be disappointed

0 of 0 people found the following review helpful.
Is there a 3rd book?
By Danielle Christine Silveira
I'm kind of mad that it ends like that. And I really hope she's writing or has written the 3rd book.

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  • Sales Rank: #3777630 in Books
  • Published on: 2013-11-01
  • Binding: Paperback
  • 187 pages

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There's something about roxy...

Something cool that snags her a hot job on a music video. Something wild that lands her on stage with a rock band. Something mischievous that pulls her sister Jane into trouble. Something sweet that finds her the romance of her life!

  • Sales Rank: #2152388 in Books
  • Published on: 2004-04-27
  • Released on: 2004-04-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.63" h x .0" w x 5.13" l,
  • Binding: Paperback
  • 128 pages

About the Author
Mary-Kate and Ashley have been celebrities since the day when, at the age of nine months, they joined the cast of the hit sitcom "Full House" in their shared role as Michelle. Each of Mary-Kate and Ashley's 14 years since has witnessed the outstanding expansion of their popularity...their fans have literally grown up alongside the twins! First in television and feature films, Mary-Kate and Ashley now appear in videos, music, interactive software, fashion dolls and accessories, and more. Their latest ventures include launching their official website and debuting a line of licensed fashion clothing, as well as their very own magazine in spring 2001.

Mary-Kate & Ashley books launched in 1990, and today the various book series continue to grow to reflect the ever-evolving lifestyles of kids, 'tweens, and teens. HarperEntertainment and Parachute Publishing release twenty-five books a year and have sold more than 30 million copies. Mary-Kate and Ashley's two book series Two of a Kind and The New Adventures of Mary Kate and Ashley are frequent USA Today bestsellers. And Mary-Kate & Ashley novelties, such as Wall Calendars, a Mood Diary, a Be My Valentine card-making kit, and the movie tie-in series, Starring-In continue to be hugely popular.

The growth of the Mary-Kate & Ashley brand has afforded Parachute and Harper the opportunity to work with companies such as Acclaim Entertainment, Mattel Inc., Warner Home Video, Kid Rhino, Lightyear Entertainment, Sail with the Stars on cross-promotional and cross-merchandise projects, including a very special, book-dedicated area on mary-kateandashley.com -- Now Read This!

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0 of 0 people found the following review helpful.
I liked it a lot.
By Elle
The book came in okay condition and the story itself was nice. Plus, the Ryan sisters are good role models for young girls. Whether it be for musical intelligence or school intelligence or both.

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Minggu, 17 Maret 2013

[S397.Ebook] Download PDF Cut Adrift: Families in Insecure Times, by Marianne Cooper

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Cut Adrift makes an important and original contribution to the national conversation about inequality and risk in American society. Set against the backdrop of rising economic insecurity and rolled-up safety nets, Marianne Cooper’s probing analysis explores what keeps Americans up at night. Through poignant case studies, she reveals what families are concerned about, how they manage their anxiety, whose job it is to worry, and how social class shapes all of these dynamics, including what is even worth worrying about in the first place.� This powerful study is packed with intriguing discoveries ranging from the surprising anxieties of the rich to the critical role of women in keeping struggling families afloat.� Through tales of stalwart stoicism, heart-wrenching worry, marital angst, and religious conviction, Cut Adrift deepens our understanding of how families are coping in a go-it-alone age—and how the different strategies on which affluent, middle-class, and poor families rely upon not only reflect inequality, but fuel it.


  • Sales Rank: #1848690 in Books
  • Published on: 2014-07-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 6.50" w x 1.25" l, .0 pounds
  • Binding: Hardcover
  • 320 pages

Review
"Revelatory."--Helaine Olen"Pacific Standard" (01/05/2015)

From the Inside Flap
"In this powerful book, Marianne Cooper weaves together carefully researched data about growing economic insecurity and gripping stories of families coping with these trends. Cooper has written an intimate look into what families are up against and the strategies they use to navigate the challenges they face. Cut Adrift provides a compelling examination of the pressing economic issues of our time."—Sheryl Sandberg, COO, Facebook and Founder, LeanIn.org

"Too often the statistics about rising insecurity crowd out the real-life stories of families struggling to adjust to new realities. With this deeply researched examination of families living in the nation’s tech capital of Silicon Valley, Marianne Cooper reminds us why the statistics matter. She offers not only a wrenching journey into the lives of the insecure but a revealing framework for understanding the varied ways in which Americans are coping, or not, with increased financial risk and strain."—Jacob S. Hacker, Yale University, author of The Great Risk Shift and Winner-Take-All Politics.

"With great insight, Marianne Cooper shows us how Americans are coping in an era of heightened economic anxiety—with the wealthier seeking ever greater financial security and the poorer trying to accommodate ever greater precariousness. Such upscaling and downscaling explains much of the emotional reality behind the menacing economic conditions in modern America."—Robert Reich, Chancellor’s Professor of Public Policy, University of California, Berkeley

"By providing a glimpse into the lives of families under economic pressure, Cooper enables us to see what happens when a nation fails to modernize its relationship to women and helps us understand what we need to do about it.."—Maria Shriver, mother, award-winning journalist and producer, founder of The Shriver Report, and former First Lady of California.

"Cut Adrift is one of the best books I have read in a long time. Cooper’s study of families from different social classes shows how worries about financial security penetrate the rhythm of daily life in all of the families (albeit in different ways). The book has impressive ethnographic detail, clarity of the analysis, and originality. My students loved it. Highly recommended!"—Annette Lareau, University of Pennsylvania, President, American Sociological Association

"Talking with moms at soccer matches, accompanying anxious shoppers at the mall, listening to news of a pink slip, Marianne Cooper takes an emotion-sensing stethoscope to the hearts of parents—from richest to poorest—in Silicon Valley, California. In an age of insecurity, Cooper finds that each family assigns a 'designated worrier' to manage anxiety about drawing to—or going over—the financial edge. This is a brilliant book and a must-read."—Arlie Hochschild, author of The Second Shift, The Outsourced Self, and So How’s the Family? and Other Essays.

"An important and insightful examination of family life during an economic downturn."—Vicki Smith, University of California, Davis, author of Crossing the Great Divide: Worker Risk and Opportunity in the New Economy

"A poignant, powerful story of how families are coping with rampant economic insecurity."—Allison Pugh, University of Virginia, author of Longing and Belonging: Parents, Children, and Consumer Culture

About the Author
Marianne Cooper is a sociologist at the Clayman Institute for Gender Research at Stanford University and an affiliate at the Stanford Center on Poverty and Inequality. She was the lead researcher for Lean In: Women, Work, and the Will to Lead by Sheryl Sandberg and is a contributor to LeanIn.org. She received her PhD in sociology from the University of California, Berkeley.

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2 of 2 people found the following review helpful.
this is an important book
By M. Josephson
Marianne apparently helped Sheryl Sandberg on her near-masterpiece Lean In. This book by her goes farther. Up and down the income scale, there are new and constant sources of insecurity. No one is prepared, no matter how rich or poor. Some books like this I just skim. On this one I read every word. It helped me think about my job. This book helped me know the world in which I work and I am thankful to this author for helping me understand it. And, with very clear normal-person-writing. She sets up her scientific sociological lingo and then sticks with it. No mumbo jumbo academic stuff! Mj

0 of 0 people found the following review helpful.
Fascinating, but broader perspective lacking
By Tricia
I had mixed feelings about this book. On the one hand, as a Silicon Valley native, so much of this rang true. I recognize all of the stories told by the study participants, and absolutely recognize the economic and class insecurities they describe. It's been pretty shocking to watch the abject economic stratification that has taken place here over the past 3-4 decades. The standard of living for a lot of middle class folks has either fallen off a cliff or is being propped up by levels of debt that are frantically hidden behind fragile facades.

All that being said.... I couldn't help but feel irked by the author's indirect implication that somehow the problem is entirely the fault of "government" or "the system". I got an uncomfortable sense of implied entitlement from some of the stories. Yes, much of the situation is beyond any individual's control, but at the same time, many of those who are in sketchy economic shape did a lot to get themselves there through their own poor choices.

I felt that the author lacked a broader sense of the human economic condition over the course of history. The period of prosperity in the US following WWII was just that--- a PERIOD of prosperity. However, the generations just now emerging from the end of that period haven't quite come to grips with the fact that that period is ending. History marches on, and Americans cannot expect to have the same degree of financial security that their parents or grandparents (after the Depression ended) enjoyed. Certainly we would like to, and there was always the myth of having one's children enjoy a higher standard of living than one's own, but the fact is that economic history evolves. Time moves on, the world changes, and economies and nations react to events beyond any one government's control. The prosperity of the last half of the 20th century lulled Americans into a false sense of economic complacency--- "Wouldn't things ALWAYS be this good?"

Of course, at the opposite end of the spectrum you have the wealthy folks who also participated in the author's study, who obviously have done quite well and yet STILL feel insecurity on behalf of their children. There's a lot to be said for the fear instilled by the "flattening" of the globe. These folks aren't wrong to be concerned--- the playing field has become a lot more crowded as globalization has robbed the US of its economic hegemony. Competition for the best jobs (and the best standard of living) has become fierce at the top. And the people at the top have no doubt seen how many of their own peers have so easily slipped down the socioeconomic ladder.

The picture that Cooper paints is indeed troubling, and the issues are very real. The times are indeed insecure.... but was there ever REALLY any true security? Just how much economic security do any of us have a right to expect? The programs instituted by Roosevelt's New Deal in the 1930's did indeed begin knitting a financial safety net for the American people that had an enormous impact on the national economic psyche.... but remember, if WWII had not come along, we have no idea how well those programs would ultimately have fared. It was the War that sent America on an economic rocket ship that only began sputtering 50 years later. New times present new challenges. And the events and measures that improved economic security for Americans in the last century are behind us.

So this is an interesting read, but it does feel as though the perspective is a bit narrow.

0 of 0 people found the following review helpful.
Beautiful
By Sally A. Larhette
Inspred by Marianne Cooper on C-span, Sept, 2014 talking about her book" Cut Adrift ", impressed with her ability to
discern political shortcomings that worsen the problems of ordinary citizens who lose jobs through no fault of their own with
very difficult recovery options while these same wonderful ordinary citizens cope with incredible stress, raising families. Life mus go on..
The inspiration was to remember her and the book and also talk about it to other people.

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Sabtu, 16 Maret 2013

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  • Published on: 1600
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  • Sales Rank: #207937 in Books
  • Published on: 2015-11-30
  • Original language: English
  • Dimensions: 8.50" h x 5.50" w x .25" l,
  • Binding: Misc. Supplies

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0 of 0 people found the following review helpful.
Loose Leaf
By Chelsea Shaw
Book is loose leaf, which wasn't disclosed in the listing.

1 of 1 people found the following review helpful.
College Requirement
By onelilrose
This book was required for a college course. It provided the necessary materials needed.

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  • Published on: 2011-01-25
  • Binding: Hardcover

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[K330.Ebook] Free Ebook Freediving - The Essentials for reaching 65 feet in just two days, by Oskar Ege

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Are you looking to improve or to begin learning about freediving? Do you wish to be able to stay submerged longer and be able to go deeper?

Well if you are this is the book for you.

In "Freediving - the Essentials for reaching 65 feet in just two days" you will not only learn how to simply reach 65 feet of depth but you'll also learn how to:

- Hold your breath for over five minutes
- Use the safest breathing techniques
- Deal with the fear and anxiety you might encounter
- Know how much extra weight you need in order to achieve perfect buoyancy
- Train for freediving pro actively
- Apply techniques to reduce friction
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  • Sales Rank: #641603 in eBooks
  • Published on: 2012-02-02
  • Released on: 2012-02-02
  • Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
Great book
By Zahir mohammed
Great book to supplement a Freediving course!

6 of 6 people found the following review helpful.
Introduces a newcomer to freediving
By kanthand
I will make it short :]
Pro's:
- easy and quick read that is easy to grasp for native and non-native english tongue's
- not too formal; like a Friend telling you the informations
- big focus on safety which is most important in wet practice
- unique high focus on the practical side; applying the techniques; discussing necessary equipment

Con's:
- it is ca. 22 pages on a desktop PC long and you will need more books if you want to get serious into training apnea
- no advices to further sources of informations

Bottom Line:
In two sentences worth the price. Target group are those who haven't heard or read much about freediving and want to get an idea what this beautiful sport is about.
Why? Because It covers all important topics you have to touch as a person interested in freediving, and explains a technique each topic in detail. Tips are provided to have moderatly quick success. Which is beginners friendly. But if you fall in love with this activity, and want to become better or good at it, you will need to look for more and other sources. E.g.: to look elsewhere for more or different breathing techniques, or for more relaxation techniques, and so on...

4 of 4 people found the following review helpful.
Simple, condensed information
By PatrikLjungkvist
I just tried the techniques for breathing infront of the computer and took the time for how long I could hold my breath and IM IMPRESSED by myself!

The book is very simple, straight forward language, written in a non-formal way. Sometimes a little too non-formal. Alot of emphasis on safety, how to understand what is dangerous and how to deal with incidents so I feel secure in knowing what to do if anything goes wrong. But ofcourse the technique was the most interesting part! Now is practise time :)

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Selasa, 05 Maret 2013

[A964.Ebook] Ebook Free 90 Days To Your Novel: A Day-by-Day Plan for Outlining & Writing Your Book, by Sarah Domet

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90 Days To Your Novel: A Day-by-Day Plan for Outlining & Writing Your Book, by Sarah Domet

Got 90 Days? Then You Can Be a Novelist

Many famous authors write their novels in a matter of weeks. William Faulkner wrote As I Lay Dying in six weeks. Joyce Carol Oates often cranks out two or three books a year. Stephen King believes first drafts should take no more than three months to complete. So, what's the trick? Novel writing isn't about inspiration. It's about the time, energy, and discipline to see the project to its finish.

With The 90-Day Novel at your side, now is the time. This inspiring guide will be your push, your deadline, and your spark to finally, without excuses, and in three short months, nail that first draft of your novel.

The difference between wanna-be writers and real writers is the difference between talk and work. If you commit to the schedule and the techniques within The 90-Day Novel and invest two to three hours a day for twelve weeks, you will complete your book. An outline will appear. Characters will take shape. A plot will emerge. Scenes will come together and form a story worth reading. And then the talking can begin!

This helpful guide provides:

  • Instruction that distills the elements of the novel—from crafting your outline to developing intriguing characters and believable plots
  • Strategies for gaining support from your family and friends
  • Motivating insights about writing and writers to minimize your inevitable moments of doubt
  • A schedule to keep you in the writing zone and keep you focused, creative, and working
Whether you're writing your first novel or your third, this guide provides the coaching, the planning, and the writerly commiseration to help get your book written.

  • Sales Rank: #154353 in eBooks
  • Published on: 2010-11-29
  • Released on: 2010-11-29
  • Format: Kindle eBook

About the Author

Sarah Domet's work has been featured in journals such as Quarterly West, Many Mountains Moving, Potomac Review, Harpur Palate, Beloit Fiction Journal, and Ohio Valley History. She has worked on the editorial staff of The Cincinnati Review and has received many awards and fellowships, including The Charles Phelps Taft Dissertation and Research Fellowship, the New York State Summer Writers Institute Scholarship, and the Hatfield/Westheimer Short Story Prize. She has also presented her work at numerous conferences, and has taught a range of college writing and literature courses. She also works as a freelance writer and copyeditor, most recently developing a series of online fiction courses for WritersOnlineWorkshops.com.

Most helpful customer reviews

128 of 141 people found the following review helpful.
Basic primer for 1st-time novelists
By Amazon Customer
This book is really a primer workbook for someone who's never attempted a novel before and wants to - in 90 days - learn about writing them.

The first several exercises have you doing basic internal explorations by writing descriptions of people you know and memories you've had. Another has you create 10 characters, which may (or may not) have a place in your novel. Make a list of 20 opening lines. Depending on where you are with your novel, these activities may or may not have value.

After the brainstorming, you'll create an outline. If your process doesn't play well with outlines, her advice is "Get over it." Later, much of the book has you write a scene one way, analyze it, and then in many "lessons," rewrite it another way.

As a teaching tool, that probably works. For me, though, when writing for publication, this kind of analysis and revision come too soon in the writing process. It takes too much time from the act of just getting everything down first, so I can see how all my scenes work together, versus crafting some of them individually this way.

If you're looking for a prescriptive process that's less instructive on basics, I'd recommend James V. Smith's "You Can Write a Novel" or Robert Ray's "The Weekend Novelist" (1st edition), or even "A Book in a Month" by Victoria Lynn Schmidt.

On a side note, the author has quite a lot of experience as a literary short story writer and editor, but I couldn't find any published novels. At the risk of sounding unfair, I tend to prefer instruction from writers who do have the added experience of publishing a finished novel. To me it brings an "I've been there" nuance to their advice that I find inspiring.

In the end, though, whether this book succeeds for you or not depends very much on the kind of writer you are. It just wasn't for me.

22 of 25 people found the following review helpful.
Foundational novel writing tips (by someone who's never written a novel)
By George E.
I would imagine that most everybody at one point or another fantasizes about writing a book. A quick search on Amazon turns up a myriad of self-help books aimed at satiating this urge: Books with titles such as “The 90-Day Novel,” “Book in a Month: The Fool-Proof System for Writing a Novel in 30 Days,” “Your Novel, Day by Day,” “Your First Novel,” and “90 Days to Your Novel.”

Apparently we not only want to write a book, but we also want to write it fast.

But do any of these primers actually work? Can we all become novelists because we read a book about writing a novel?

I decided to find out. I’ll admit, I had an ulterior motive. That’s right, I wanted to write a novel. After doing a fair bit of research, and reading the feedback that users were leaving for each title, I settled on Sarah Domet’s “90 Days to Your Novel.” This book purports to assist the first-time would-be novelist to complete a working first draft in a mere three months. Does this seem like a tall order? Yes, and Ms Domet makes no excuses for her up-front promise that you can expect to spend two or more hours per day writing in order to meet that goal. In fairness, there were some days, especially in the beginning, that I did not spend nearly this long.

First, a little background on the author. While she has published many short stories and nonfiction pieces in a variety of journals, as far as I can tell, she has never actually published a novel. Her blog site appears to not have been updated since March 2011. This is questionable. You may be asking yourself at this point if she has any information worth sharing with the would-be novelist.

The answer is: kind of, sort of.

The strength of this book, I would argue, is the tangible and structured way that Ms Domet goes about the process of having her reader organize his project. The book is broken up into sections in which you are always aware of where you are in your journey. For the first 21 days, you have daily assignments to complete, from coming up with character bios, to brainstorming plot ideas, to writing sample scenes to help you come up with ideas. The author is a huge fan of beginning with an outline for your novel, and throughout these first 21 days, you are constructing this outline and refining it.

Starting with Week 4, (Day 22), you no longer have daily assignments. Now you switch to weekly assignments. Each week will contain between three and four assignments in which you continue tweaking your outline but also start writing the content. The premise of the book is that by the end Week 13, you have a solid first draft.

Now, let me clarify that the title of the book is a bit misleading. This is, after all, a first draft you are holding at this point, not a finished novel. You now have to begin the painstaking process of revising your work, cutting things that don’t work, adding things that are missing, polishing for flow, etc. Many accomplished writers will tell you that the revision process can be gut-wrenching and tedious. But this is what you must do in order to take that first draft and turn it into a polished novel.

So the question remains: Is Sarah Domet’s technique effective?

I can only offer my own experience on the matter. For a while, I thought I was really on to something as I completed assignments and churned out pages and pages of scenes that I thought for sure would end up in my finished novel.

Unfortunately, that is not what happened.

I will give Ms Domet credit as a published author who knows a thing or two about the writing process itself. But had I realized up front that she had never actually published a novel, I would have looked somewhere else.

My biggest complaint is that Ms Domet focuses way too much on issues that are external to the story itself; One example of this is what she calls “scene balance”. She seems to think that the author needs to carefully balance the number of external and internal scenes in the novel so that they are about equal. She defines an external scene as any scene where there is action going on, where a character is physically interacting with the world around him. An internal scene, then, by contrast, is a scene in which most of what is going on is happening in the character’s head. The character may be thinking, reflecting, having an internal monologue, etc.

I would say that we should let the story dictate the scenes that need to be included. Ms Domet wants her reader to use his outline and figure out how many external scenes and how many internal scenes are on it, and cut/revise to balance it out, long before her reader has even started writing the story. There is an old saying that goes something like “if you need to force it to make it fit, you’re probably doing it wrong.”

This has never been so true as it is here.

Another major shortcoming of this book comes when you begin working on Act II of your first draft. For those of you who do not know, Act II is the middle act of the familiar three act structure commonly used in storytelling. It is where most of your action takes place, and typically accounts for at least fifty percent of the word count of your book. At this point, Ms Domet asks you to do something that I find odd: She has you look at your outline, sort the scenes according to scene type, and then write all the scenes for that type before moving on to the next type.

In other words, she wants you to write all of your action scenes together. She wants you to write all of your dialogue scenes together. She wants you to write all of your introspective scenes together. Etcetera. Etcetera.

Now, don’t get me wrong. Filmmakers do this all the time. If you are making a movie, and every day you spend filming adds to your production costs, and you have three scenes that all take place at the same location, you film those three scenes all in a row. You let the editor put the scenes in order later, during postproduction. I know a thing or two about this process, as I have two film festival awards at home.

But in novel writing, this just seems silly. There is no compelling reason that I can think of to write your novel out of order, other than maybe you got into the zone for action scenes and so you just kept writing action scenes.

But what is the trade-off?

For starters, you lose the flow of your narrative. The novelist needs to be able to feel how his work is progressing, if the pace is too slow and needs to be sped up, or if the pace is too fast and needs to be slowed down. Often, a high-octane, edge-of-your-seat action scene needs to be followed by a slower scene, to allow the reader to catch his breath. Too many slow scenes in a row can make the book get stale. Too many fast scenes can detract from the substance of the story. But how are you supposed to get a feel for the flow of your work if you are writing the scenes out of order?

And what about continuity? In novels, scenes build on the scenes that come before. A later scene is influenced by an earlier scene. Something that has already happened will be brought up again later in the book. There is a natural flow to it. How can you have that if you wrote all the scenes out of order? You could argue that you can add these little nuances in later, but that sounds like extra work. I would just as soon get it right the first time through, and save my revision time for fixing bad writing rather than correcting continuity errors that were introduced by writing my scenes out of order.

I will admit that this is the point in the book in which I became very suspicious of what I had gotten myself into.

Of course, these are just my experiences. Someone else may feel that they benefitted from writing their novel following this schedule.

Let me just say I decided to stop following Ms Domet’s book. I finished reading it for any little insights she might have had for me. For instance, she offers lots of great coaching and solid tips on crafting plot and characters, things that she obviously knows about from her publishing experience. But I stopped using her book as a guideline for writing my novel.

In fact, I threw out almost everything I did when following this book, and started more or less from scratch. My completed urban fantasy novel, titled "Line of Sight: A Jake Presnall Novel" bears little resemblance to what I was working on when I was reading “90 Days to Your Novel.”

And so, my advice to the aspiring novelist out there, is put the story first. The story must come before all else. It must come before artificially and externally imposed restrictions like balancing out external and internal scenes. If you want to read any self-help books on writing, there are great ones out there. But focus on reading the books that walk you through the process of improving the actual substance of your writing. Check out Othello Bach’s “How to Write a Great Story: A Fiction Writer’s Handbook.” Or check out James Scott Bell’s “Plot & Structure: Techniques And Exercises For Crafting A Plot That Grips Readers From Start To Finish.” Another favorite of mine is “Writing the Breakout Novel” by Donald Maass.

The difference between these books and the book that I have just critiqued is simple. Rather than walking you through the novel writing process, they simply attempt to explain to you how to write a story that your reader will love to read. “How to Write a Great Story” gives excellent advice on improving the actual content of your writing, maturing you as a writer. “Plot & Structure” is a fascinating look at why some plots seem to work better than others, and gives practical and insightful tips on how to come up with your own plot ideas. “Writing the Breakout Novel” is written by a literary agent who wants you to know what other literary agents are looking for when they are trying to decide if your novel has the potential to become a “breakout novel.”

Thank you for reading. And good luck to you.

15 of 17 people found the following review helpful.
Excellent left-brain strategies to activate the right brain!
By Kelcey Parker
I love how this book provides the schedule and structure for writing a novel, thus freeing you up to activate your right brain and immerse yourself in your characters, scenes, and themes. But there's way more here than a stream of smart and timely assignments to keep you on track. Domet breaks down each assignment with examples from novels like The Great Gatsby, Lolita, My Antonia, Nobody's Fool, To Kill a Mockingbird, Housekeeping, and The Handmaid's Tale - and peppers each section with quotes from writers like Mark Twain, Joyce Carol Oates, and Dickens. AND there are excellent mini-lessons on key aspects of craft as well as keen reflections on the psychological demands of committing to 90 days of writing. I teach creative writing at the college level and am considering using this book in an upcoming semester, which, conveniently, lasts about 90 days.

90 Days to Your Novel is a truly comprehensive guide that takes you on an intense writing journey, offering encouragement, tough love, and great tips along the way.

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90 Days To Your Novel: A Day-by-Day Plan for Outlining & Writing Your Book, by Sarah Domet Kindle

90 Days To Your Novel: A Day-by-Day Plan for Outlining & Writing Your Book, by Sarah Domet PDF

90 Days To Your Novel: A Day-by-Day Plan for Outlining & Writing Your Book, by Sarah Domet PDF

90 Days To Your Novel: A Day-by-Day Plan for Outlining & Writing Your Book, by Sarah Domet PDF
90 Days To Your Novel: A Day-by-Day Plan for Outlining & Writing Your Book, by Sarah Domet PDF