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Wilfred Owen is the “Poet of Pity,” whose realistic portrayals of war gave voice to the soldier wounded, captured, or killed—not just in the Great War but in every war since, so great is the evocative power of his work. Although he saw only five poems published during his lifetime, Owen left behind a wealth of letters and poetry that together form a powerful legacy.
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This generously illustrated book tells the story of Owen’s life and work, from his birth in 1893 to his tragic death just one week before the signing of the armistice that would end the war. The shocking realism of poems such as “Strange Meeting” and the angry disillusionment of “Anthem for Doomed Youth” reveal Owen’s transformation from a romantic youth steeped in the poetry of Keats to a mature soldier awakened to the horrors of the Western Front.
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Drawing on numerous manuscripts, artifacts, and family photographs, this book gives a comprehensive view of the relationship between the poet’s lived experience and his writing that will appeal equally to both those well-versed in Owen’s work and those seeking a well-researched, accessible introduction.
- Sales Rank: #1459467 in Books
- Published on: 2014-09-15
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .70" w x 6.00" l, .0 pounds
- Binding: Hardcover
- 144 pages
Review
“A visually stunning book. . . . In Wilfred Owen: An Illustrated Life, Potter pairs an in-depth biography alongside integrated photographic and archival material, much of which has never been in print. This slim but versatile book would serve well as an introduction to Owen for undergraduates as well as a selective resource for academics interested in the poet’s life and writing process.” (ELT Journal 2015-12-15)
About the Author
Jane Potter is a senior lecturer in the School of Arts at Oxford Brookes University. She is the author of Boys in Khaki, Girls in Print: Women’s Literary Responses to the Great War, 1914–1918.
Most helpful customer reviews
2 of 2 people found the following review helpful.
And bugles caling them from sad shires
By Glynn Young
In September, the Bodleian Library, Oxford published “Wilfred Owen: An Illustrated Life” by Jane Potter. Owen (1893-1918) has been the subject of `six recent biographies (not to mention others less recent). With Rupert Brooke, Owen is at the front of the line of the groups known collectively as the “World War I poets.” He is one of 16 World War I poets commemorated with a memorial stone in Westminster Abbey.
Potter’s illustrated history of his life is deceptively simple looking, almost like the kind of biography you might find in a middle school library. But it is carefully crafted, extraordinarily well researched, and engagingly written, drawing upon the extensive correspondence he maintained with his mother, his poetry, and a considerable number of sources and photographs from the English Language Faculty at Oxford.
The oldest of four children, he was the son of a railway clerk who had dreamed of settling in India and a mother who was decidedly evangelical. As he matured, he was undecided (or indecisive) about a profession or line of work, until the war intervened. He also had been writing poetry.
Owen didn’t enlist in the British Army until 1915. In 1917, suffering from what was then called shell shock (and what we today call Post-Traumatic-Stress Disorder, or PTSD), he was sent to Craiglockhart, a hospital in Scotland specializing in shell shock cases. There he met Siegfried Sassoon, who had been sent to the hospital for a very different reason – to avoid a court-martial for a letter he wrote opposing the war (I posted an article on Sassoon’s The War Poems this week at Tweetspeak Poetry).
The friendship with Sassoon was pivotal for Owen’s poetry. Manuscripts of his poems with Sassoon’s emendations still exist (one is on display at the Imperial War Museum). His poetry changed and grew. It began to be noticed, and published.
Potter walks us through each phase of Owen’s short life, using pictures of childhood, family, friends and the military. Each section includes his poems at the end, adding a poignancy to the text. You look at the pictures of the young, the hope and expectancy in his face, and read his poems, and in a few short pages see a life of promise cut short.
One of his best known poems is this one:
Anthem for Doomed Youth
What passing-bells for these who die as cattle?
— Only the monstrous anger of the guns.
Only the stuttering rifles' rapid rattle
Can patter out their hasty orisons.
No mockeries now for them; no prayers nor bells;
Nor any voice of mourning save the choirs,—
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.
What candles may be held to speed them all?
Not in the hands of boys, but in their eyes
Shall shine the holy glimmers of goodbyes.
The pallor of girls' brows shall be their pall;
Their flowers the tenderness of patient minds,
And each slow dusk a drawing-down of blinds.
Owen almost survived the war. On Nov. 4, 1918, he was shot and killed by enemy fire alongside a canal. A week later, on Armistice Day, his parents were informed of his death.
And bugles calling for them from sad shires.
2 of 2 people found the following review helpful.
Owen is my favorite WW1 poet - I have most of his books ...
By benjamin trowbridge
Owen is my favorite WW1 poet - I have most of his books and was delighted when this was released. It s a beautiful little book -
but the content is a real disappointment - a rehash -poorley written - his gayness totally ignored. Sorry….
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